Editorial



Dear Readers,
This first issue of Globalculturz

is before you. Scholars from India and abroad have contributed their ideas on varied and vast topics of knowledge and academic enquiry. It was a learning and building process for all of us. The layout, colors, designing and technical accessibility, all aspects were discussed. Sometimes it took several days to complete the things. Some of the issues are still pending and need further discussion. The improvement is a continuous process and the next few issues will be more elegant and more attractive. Though simplicity in presentation, language and technique is our core motto.

Periodicity and language of publication matters a lot for a journal. There is always a scarcity of quality research content and a good piece of creative work in every language. Keeping in view, the editors decided to publish it tri-annual which may be switched to quartery mode, a very common one, in future. It has been observed that short-pieces of writing on social media platform give more satisfaction and instant popularity and some serious scholars, too, prefer to opt for that. So, just the three issues of the Journal will be published in April, August and December every year. However, the updation and formatting of the articles will continue for the next one month to accomodate the late comers. Technically speaking the completed issue of April, August and December will be ready by the end of months of May, September and January respectively and will be available for the readers in perfect form. Ideas are not confined to any language or a particular group of society. They can flourish in any corner. Due to the constrain of human resource, we have limited the publication in three languages viz. Hindi, English and Japanese. It is obvious that for Japanese language, Tokyo Center team will be more helpful than any one us, here in India. The same is true vice-versa.
ISSN is another issue for which the editorial team will do its best. The idea is to move the ISSN applications in both countries-Japan as well as in India for the benefit of scholars. But, in any case well not deprive the ideas to get expressed
We are trying, We are experimenting. We are moving ahead. Your valuable suggestion are precious to us. Do write to us.  
    
-Team, GLOBALCULTURZ
E-mail: info@globalculturz.org
May 19, 2020

हिंदी का उपेक्षित साहित्यकार ठाकुर जगमोहन सिंह

Title: हिंदी का उपेक्षित साहित्यकार ठाकुर जगमोहन सिंह
Article-ID 202004009/I GLOBALCULTURZ Vol.I No.1 Jan-April 2020 Language::Hindi                                                
Domain of Study: Humanities & Social Sciences
                                                                      Sub-DomainLiterature-Criticism
रमेश अनुपम (प्रो०)
204, कंचन विहार, डूमर तालाब ( टाटीबंध ), रायपुर, छत्तीसगढ़. 492010, भारत
[E-mail: info@globalculturz.org]   [Mob:+91-9425202505, 6264768849]                                                                                                                                            

Summary in English

Modern Hindi was shaped by several authors, poets, and journalists during the time period of 1850-1900. This period is commonly known asBhartendu Yug’ , named after Bhartendu Harishchnadra, eminent Hindi poet and playwright. During this period an other novelists, Thakur Jagmohan Singh contributed a lot to enlighten the society through his famous literary workShyama Swapn’. This paper evaluates the contributions of Jagmohan Singh and highlights the importance of his literature

उन्नीसवीं शताब्दी का उत्तरार्ध हिंदी भाषा और साहित्य का उत्कर्ष का काल रहा है। इस काल में भारतेंदु हरिश्चंद्र के गम्भीर अवदान को कभी विस्मृत नहीं किया जा सकता है। भारतेंदु हरिश्चंद्र सच्चे अर्थों में हिंदी साहित्य के निर्माताओं में सबसे अग्रणी रचनाकार हैं। ’ कविवचन सुधा ’, ’ हरिश्चंद्र चंद्रिका ’, ’ बालाबोधिनी ’, जैसी पत्रिकाओं, ’ वैदिकी हिंसा हिंसा न भवति ’, ’ चंद्रावली ’, ’ भारत दुर्दशा ’, ’ नीलदेवी ’, ’ अंधेर नगरी ’, ’ प्रेमयोगिनी ’ जैसे नाटकों, ’ काश्मीर कुसुम ’, ’ बादशाह दर्पण ’ जैसे इतिहास परक ग्रंथों तथा अनेक कवित्त-सवैयों के माध्यम से जिस तरह से भारतेंदु हरिश्चंद्र ने हिंदी भाषा तथा साहित्य को नवीन संस्कार प्रदान किए, वह हिंदी साहित्य का एक स्वर्णिम इतिहास बन चुका है।

अखाड़ा

Title: अखाड़ा
Article-ID 202004008/I GLOBALCULTURZ Vol.I No.1 Jan-April 2020 Language::Hindi                                                
Domain of Study: Humanities & Social Sciences
                                                                      Sub-Domain: Literature-Short Story
चित्रा सिंह (डॉ०)
एसोसिएट प्रोफेसर, भीमराव अंबेडकर कॉलेज, दिल्ली विश्वविद्यालय, दिल्ली, भारत
[E-mail: dr.chitrasingh2210@gmail.com]   [Mob:+91-981880325]                                                                                                                                            


Summary in English:

Akhada is a wrestling ground, dominated by males, and represents patriarchy in Indian literature and pop-culture. Many a times this word connotates the electoral battle, a continuous phenomenon seen in politics of India. This story is about a girl Sukhiya, who dares to challenge the patriarchy in wrestling ground and in elections, both.  

खून से लथपथ महिला की लावारिस लाश..आसपास लोंगों की भीड़ 
पुलिस पंचनामा कर रही थी । पता चला की वह लाश विधायक की उम्मीदवार सुखियादेवी की है। हंगामा होना ही था। कल होनेवाला चुनाव तो स्थगित हो जाएगा।कोई डी.एम साहब और चुनाव अधिकारी को खबर करो। किसी ने  कहा ।एक आवाज और आई- भाई गाँव के अखाड़े में भी खबर कर दो ।
जाते जाते भी छोरी हंगामा कर गई । जब अखाड़े में आई थी तब भी हंगामा  हुआ था ।